My wife Yukiko during her Shinjin Sho test performance |
The Sanshin is Truly Okinawan
If any single musical instrument
can truly be called Okinawan, it is the sanshin. It is a three-stringed banjo-type instrument
brought in originally from China some 600 years ago, during the height of
Okinawan-Chinese cultural exchange. The
Chinese instrument was called the sanxian.
The word “sanshin” literally translates
in Japanese as “three strings”. The old Ryukyu kingdom adopted the sanshin as
part of its musical repertoire and developed it into a high level of
artistry. It is found in both classical
music (koten) and folk music (minyo). Modern Okinawan performers use the sanshin
with or without modern western musical accompaniment to sing new generation
songs. Similar to how the ukulele has
become attached to Hawaii and Hawaiian music, the sanshin is a key cornerstone
of the Okinawan music scene.
Sanshin construction
The sanshin is made as follows:
the neck is made of a single piece of hard wood, the sound box is covered in
snakeskin or a synthetic skin, and it has three strings, usually made of nylon. There are no frets. The large protruding tuning pegs for the
strings are called karakui. It has a
removable bridge or uma.
The strings are plucked in
traditional style with a bachi, which in the old days was made from a water
buffalo horn, but today can be made from ceramic or some other substance. Of course modern players also use a guitar
pick or their fingers to play the notes.
Sanshin vs. Shamisen
The sanshin is often confused with
the Japanese shamisen. Many people refer to the sanshin as a shamisen, but
actually the shamisen is a derivative of the Okinawan sanshin, which made its
way to Japan in the 16th century, many years after gaining
widespread popularity in Okinawa. Compared
to the Okinawan sanshin, the Japanese shamisen is longer and has a larger body. Both have three strings. The shamisen typically
uses cat skin to cover the body rather than snakeskin.
Sanshin Music is Everywhere
The koten or classical music style
was played to royalty and visitors to the royal court as part of formal
ceremonies. The minyo or folk style is livelier
and is played throughout the country by just about everyone.
To give you an idea of what I mean,
first of all, there are minyo bars everywhere, it seems. At least in Koza (Okinawa City) and Naha,
they were plentiful. They typically
serve drinks and some bar food (Okinawan of course). Each bar has a stage area with a sanshin, taiko
drum, and a microphone. Usually the
proprietor will give a 30 minute performance, and perhaps an encore with some
encouragement. Then it becomes “open mic”
night, and everyone in the crowd so inclined can come up and play and sing
their favorite minyo song. Others in the
crowd may sing along, or if it’s lively enough, get up and start dancing. Great fun.
The action doesn’t usually get started until after 10pm and can go well
past midnight.
In Ishigaki, which we also
visited, Our tour guide at one point pulled out a sanshin and started playing
and singing for us. Later in Taketomi,
the ox cart driver also grabbed a sanshin from a shelf above him and
entertained us as well. I never
investigated, but would not be surprised to find out that our taxi drivers had
sanshins in their cars ready for a chance to play.
Many stores in Okinawa sell
sanshins whether they are music stores or not.
As for my Wife’s Shinjin Sho Test
The venue for the exam was an
auditorium with a stage where the testers perform one at a time. They face a line of 10 to 12 judges from
different schools. A large crowd sits
behind the judges. Pressure!
Each student is called out by the
number they drew at random prior to the testing. They bow, and have a choice of sitting in a
chair, sitting seiza style on the floor, or standing. The test song for every level involves both singing
as well as sanshin playing. Although it
is a test for sanshin, your ability to sing is just as important.
Any gross mistake or uncalled for
repetition gets the performer the sound of a loud buzzer (really!) and they
fail. For the higher level students, the
crowd also gets involved. If a student makes
a mistake or stumbles during his performance, the audience grows unruly and
makes lots of loud grumbling noises. This of course often unnerves the person who is testing
as he or she keeps playing, trying to recover and finish. Often however, the crowd noise affects them
and causes them to make a mistake so bad that they get the deadly buzzer from the
judge. Talk about tough love!
Happy ending
For this year’s test, there were
about 40 students who tested for first level Shinjin Sho. The Hawaii contingent brought five people to test. The happy ending is that all five of the
Hawaii students passed! Needless to say
we celebrated this event in various ways, including some minyo bar festivities,
of course.
The Hawaii sanshin students (in Kimonos) and their sensei, Derek Ichiro Shiroma, of the Okinawa Minyo Kyokai Hawaii |